Making Great Television to Reinforce Social Studies Learning

As blogged about in 2014, St Andrew’s College has been running the only professional television studio in a New Zealand school for almost 20 years. What is particularly exciting for me is the potential of other subjects to utilise this fantastic resource to allow students to conceptualise, and create video content.

Earlier this year, I was lucky enough to attend a PD day that featured Dr Rueben Puentedura, that developed my own understanding about the SAMR model and its application in unit planning. An important aspect of this learning is that, as part of the redefinition of a unit, technology is allowing students greater opportunities to create meaningful content. With our fully functioning studio, students at St Andrew’s College have the opportunity to produce high quality video content, that both reinforces their own understanding, and displays their learning for others. One such recent example has recently concluded in Year 10 Social Studies.

Mr Simon Williams - Head of Television and Film

Mr Simon Williams – Head of Television and Film

Decade Study – The Swinging 60’s

A Level 5 Curriculum Objective in Social Studies requires students to study how the ideas and actions of people in the past have had a significant impact on people’s lives. This year, students undertook a decade study of the 1960’s; including aspects such as historical events, music, and fashion. This was a very popular unit with students, but, as always, the challenge was making their learning authentic.

Mr Simon Williams, the head of Film and Television, was interested in this new unit of work, and offered to assist the teachers to create some video resources to complement their classroom learning. Because the majority of students access learning in the TV studio as part of the Performing Arts course at either Year 9 or 10, there was no need to spend time on the ‘how’ to create such material. This meant students already had the skills to produce an interview style television program, and they could focus on the content.

Mr Williams wanted the process to be smooth and clearly beneficial for the Social Studies staff members, so he assisted by writing a simple script, and organising several interviews with staff that have fond memories of the decade, as well as a television cameraman who cut his teeth in Vietnam in the 1960’s; Mr Wayne Williams.

Student Involvement

The students’ roles included filming, performing, presenting and editing the final production – to create a number of professional standard videos that were ultimately edited into a 35 minute television program.

Students with varying levels of experience were able to contribute to the production of such a programme as the interview format is very familiar and accessible for them. This fact emphasises the potential of the Television studio to help students of almost any subject area to enhance their learning by creating resources of various forms.

Putting Social Studies Learning into Action

The head of Social Studies at St Andrew’s College, Miss Kerry Larby, was enthused by the activity.

One of the key aspects of Social Studies is perspectives, so it was extremely beneficial for our students to hear the authentic experiences of staff members they interact with on a daily basis, but may not realise their past experiences. 

Miss Larby also noted that one of the focuses of the unit was helping students to discover the wealth of resources that exist within people, rather than relying on the easy, often web-based, option. Each student was encouraged to identify, and interview, somebody who had clear memories and experiences in the 1960’s and make use of this information to supplement their learning in class.

Collaboration for Mutual Benefit 

Students at St Andrew’s College are extremely fortunate to have access to the remarkable television studio. SetWidth204-TV-Studio2What was particularly pleasing about this activity was the cross curricular nature of the production; utilising students’ existing television creation and editing skills to show, and develop, their learning in Social Studies.

There is certainly scope for more subjects across the College to implement similar tasks, and I look forward to reporting on them on this blog in the future!

 

 

 

 

Television & Film Studio – Published Article in Interface Magazine

This article was published in the July Edition of the Interface Magazine and is reproduced with permission.

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St Andrew’s College has been running the only professional television studio in a New Zealand school for almost 20 years, writes Simon Williams.

Professional? Well yes, in that we use TV industry equipment and systems, it’s run by two people who have a background in the industry, and professional people look after it in a technical and production sense.

Of all the classes who use it, the Year 8 and 9 students are the ones I enjoy most. They’re so full of energy, they learn fast, nothing’s impossible, and they run a show just like the pros.

When a class of Year 9 performing arts students bounce though the door three times a week to make live television shows, they’re using the same sort of gear and systems that the industry uses. The studio has recently updated its cameras, while film classes have almost new Sony NX-Cam cameras, professional sound and lighting gear, with Adobe Premiere CS5 and CS6 to edit with.

The Year 9s spend a term in the TV studio and a term in drama, just as the Year 10 performing arts students do. The younger group makes live shows that will include three or four live musical items, an interview or two, perhaps six recorded items all introduced by hosts or presenters. The shows run live – in other words without stopping. The Year 10s also make short films to run in their studio shows.

Teaching professionalism and performance

3The whole idea is to teach team work, leadership, discipline, problem solving, the safe and effective use of professional gear, and, of course, on-camera performance. To watch a 13-year-old director driving a show, with her or his vision switcher, sound, lighting and videotape operators, floor manager, and four camera operators, plus performers, is one of the reasons I enjoy the role.

We recently had a delightful young director who understood that a performance in a studio is far more than
the performers – that it’s about the whole
team. I watched this young boy speaking

to the camera ops before the how, telling them exactly what he wanted them to do, getting them to show him, before thanking them. This boy had the crew in the palm of his hand. They wanted to do whatever he asked of them.

It’s like watching the Key Competencies from the New Zealand Curriculum in action.

Command and collaboration

2A cover of Colbie Caillat’s song ‘Bubbly’ (fizurl.com/bubbly) shows one of the 11 items in the live unrehearsed show. Just look at the way the cameras are moving, the way the vision switcher is mixing at just the right speed, all under the command of a director who is only 13!

Senior NCEA media classes also use the facility. This year the Year 12 TV class made a children’s show in collaboration with the St Andrew’s Preparatory School, using the studio linked to a second facility set up there, all linked by an outside broadcast truck. Continue reading