The teaching of Digital Citizenship presents many challenges for all schools. Each faces slightly different challenges, and these challenges can quickly change and evolve in response to new social media products or features.
There are two main approaches that we have tried in the recent past. This blog has described the utilisation of outside experts and the deliberate ‘teaching’ of content to allow students to create resources for others within the College. While both of these approaches are beneficial and produce some, albeit potentially temporally, impacts on the behaviour of students, it has always been a particular challenge to find an appropriate, robust scheme of work that guides students through some of the myriad of issues and content that the internet and in particular Social Media produce.
In 2017 we have introduced a new Y9 course; Digital Literacy. All year 9 students spend 1 period a week with me, covering a wide range of topics such as computer knowledge and care, the O365 suite, and basic programming. This term has been dedicated to Digital Citizenship. Earlier this year, a P.E and Health teacher at our College, Mrs Nicola Richards, alerted me via twitter,to an Australian online Digital Literacy course developed by the Allannah & Madeline Foundation. They have created a Digital Licence, an eight module course designed to guide students through a range of different topics:
Digital Devices
Protecting Privacy
Searching and Researching
Creating and Sharing
Social Networking and Gaming
Communicating Safely Online
Relationships and Reputations
Coins, Credits and Tokens
The licence has been in use in Australia for a number of years, with current estimates indicating that up to 200,000 students there have completed the program. There is a small AUD$10 charge per student, but in 2017 that charge is generously being meet by Google NZ for all NZ Y8 & 9 students.
Student Management
A great feature of the program from my point of view was the ease of enrollment. A simple CSV export from our SMS of each of my classes names was imported into the site – and usernames and passwords were easily generated. Students then go to the site and get started. With 8 different classes, it was important that it was easy for me to manage the module’s content, and track student progress easily; and the site delivered. It was simple for me to lock and unlock modules, and track student progress through the site.
Planning and Task Development
For a teacher, each of the modules is well planned, and a range of suitable activities are provided, along with a number of links to appropriate video resources.
Example of the planning section for the Protecting Privacy Module
Because I only see my Year 9 students 1 period a week, I was pretty restricted in the amount of time that I could invest in each module – so I adapted the suggested tasks and videos to be a more discussion based teaching method. Ideally there is the potential to make each of these modules a weekly focus to add a little depth and context to the course.
Assessing Student Progress
Perhaps my favorite feature of this course are the engaging quizzes at the end of each topic. Through a combination of basic animation and realistic examples, the completion of the quizzes became a motivating tool for many of my students. Each 10 question quiz has an 80% pass mark – and all 8 modules must be passed to enable a student to receive their Digital Licence.
The quizzes are relatively difficult – so I have a couple of classes where students progress is quite varied, but I have turned this into an opportunity for students to buddy up to help each other with their progress.
Overall, I have been really impressed with this scheme of work. I feel that it has good coverage of the important issues facing Y9 students, and the site is well structured, really easy to use, and engaging for students. The level of difficulty is relatively high which I think is a positive, as it has lead to higher levels of engagement from my students. I would be happy to recommend this program to other schools, though I would encourage them to carefully reflect on the aspects of it that you wished to use.
This week I had the privilege to sit down with Ms Francesca Eathorne, Head of Communications at St Andrew’s College and hear first-hand the details about the new StAC Social Hub which is powered by Shuttlerock. This is a new digital channel that not only automatically collates content from various social media platforms and aggregates them, but also allows users to directly submit rich media content for moderation and publication.
While the content is mostly submitted from three key community groups – students, parents and Old Collegians – Social Hub is a StAC-owned media platform, meaning that once the content is published it can’t be removed if the original post is removed or account closed. This ability, along with powerful moderation tools, provides St Andrew’s with a significant amount of control over content retention and posting.
Ms Eathorne first learnt about the Shuttlerock platform more than two years ago via an existing StAC connection and immediately saw the potential for a greater sense of community participation with media content, particularly in the lead up to the College’s Centenary celebrations in 2017. The ability for user generated content was powerful and her research showed interesting developments in the owned-media space. Part of the communications’ strategy at St Andrew’s is to always innovate and be prepared to lead in the education space.
Like other social media platforms, you can share, comment on and ‘like’ content; however, it can also be used for competitions where users provide their own content, which boosts engagement.
Shuttlerock offers advert placement throughout the platform that is useful promoting events and competitions such as the above.
Recently the College ran a successful competition offering free return tickets from anywhere in the world for an Old Collegian to return home to join the Centenary Gala Weekend celebrations, 17-19 March 2017. The StAC community was encouraged to post their photos of Old Cols and nominate them to win the tickets, which were generously sponsored by Emirates and House of Travel Merivale.
Eighty-nine entries were received from around the world and the winner was Thomas Moore (OC 2009), who is currently living in the UK. Tom’s older brother Luke nominated him and so winning was a complete surprise to Tom. The competition saw lots of positive conversations on social media as Old Cols shared the posts and nominated their friends.
A sample of the many submissions to Social Hun as part of the “Bring an Old Col Home” competition run in conjunction with the Centenary celebrations.
Building on StAC’s social media strategy, which includes YouTube, Flickr, Facebook and LinkedIn, Social Hub has started to gain momentum.
Marketing Co-ordinator Ms Georgia Harvey who administrates Social Hub says,
“The ability to aggregate content from multiple social media sites to one ‘Social Hub’ is what sets it apart from other platforms. It allows for an easy upload process, with content automatically filtering through for review and publication to Social Hub direct from the creator of the content. This means content such as videos and photos are unique and genuine, and reduces significantly the resource required to otherwise source the same level of content.”
The ability to moderate content is essential within a school environment where some students have restricted use of their image, particularly in the online space. Shuttlerock easily allows this moderation and StAC’s policy is to ‘approve’ all content for publication.
The Social Hub was launched to coincide with the College’s 100 years centenary celebrations
The extensive customisation of Shuttlerock’s core product for the StAC Social Hub took longer than originally anticipated due to the complexity of the requirements of the College, including ‘boards within boards’, resulting in the deployment of an almost bespoke setup perfectly designed for maximum functionality and impact.
Ms Eathorne says,
“Shuttlerock continue to evolve as a company and we have been really impressed with the way they have learnt from our custom site build and how they are offering us solutions to continue to effectively manage the platform. We are currently rolling out a new website and the integration of our Social Hub streams into the website will keep content dynamic and fresh and really reduce workload for the team”.
The custom Social Hub icon developed by StAC staff
To further customise the experience, a unique social media icon was designed by the College’s in-house design team, and a decision was made to name the platform the StAC Social Hub, rather than refer to it simply as Shuttlerock. According to the team at Shuttlerock, StAC is the first customer worldwide to brand the platform with a custom name and social media icon, reflecting the College’s commitment to innovation and branding.
The content on Social Hub is collated into six main ‘boards’ as follows:
Within each board are sub-boards, similar to categories, such as the Sports board which showcases content from College sports events as diverse as the annual Athletics Day to staff teams competing in the Wanaka Multisport Challenge:
A selection of sub-boards within the main Sports board
It is this highly visual navigation system that is one of the strengths of Social Hub. Users are funnelled into areas of interest and then within those they can view photos and video content submitted either directly to Social Hub, or automatically collated from various social media platforms such as Twitter and Instagram through the use of designated hashtags such as #StAClife and #StAC100, the latter hashtag ties into Centenary content. It is precisely this ability to source user generated content from other social media platforms that allows for a variety of strategies depending on the targeted community group, for example:
Students: competitions for submissions of the best photo from an event, such as the 2016 Athletics Day. While a prize of a $50 voucher is up for grabs, this is a great strategy to connect students with the primary College branding as well. Students are now used to posting content on Social Hub and recently senior students approached the Communications team to see if they could run a ‘Random Acts of Kindness’ day competition using Social Hub.
Parents: one of the primary aims of Social Hub is to enable parents to easily share photos they’re taking of College events either through the use of hashtags or having parents directly submit to Social Hub. This worked really well with Winter Tournament Week this year where a lot of photos were received that normally the Communications team would never have had access to. It also helped to build a sense of excitement as students were competing all around New Zealand, plus a link to photos was included in the end of week newsletter ensuring that even more of the community could engage with the event and successes.
Old Collegians: are specifically targeted for photos from their time at StAC with this content being segregated into decade boards, allowing Old Cols to immediately find the most relevant content for them.
Old Collegians’ Co-ordinator Ms Kate Baker notes
“Social hub has been a great platform to allow two-way engagement between the College and our alumni. We can easily showcase images from the latest alumni events, campus developments, or even historic images so our alumni remain engaged with the College. The Social Hub enables our alumni to be contributors too, via Instagram, Twitter or email upload (appealing to a variety of demographics) they can share their own images and memories. Not only does this allow our content to expand, but it creates a sense of authenticity and supports our alumni to be active in their ongoing relationship with the College, which is really important in the lead up to our Centenary”.
The #staclife board is a great place to showcase the culture and general happenings at the College and is perfect for all those photos that don’t make it into the formal College publications or get profiled on the Facebook pages.
A screenshot of the #StAClife board with images submitted directly but also via social media using the #StAClife hashtag
Shuttlerock are getting global press too, recently winning a prestigious award with Facebook. Shuttlerock’s Executive Director Mr Paul Bingham says
Mr Hitesh Pratap from Shuttlerock with the Facebook award outside Strowan House
“Shuttlerock received the Facebook Global Innovation award for creativity; a real honour for a tech start up out of Christchurch. The award recognised Shuttlerock’s unique approach of collecting user generated content and allowing an organisation to use it effectively.”
“St Andrew’s has taken the lead in using the platform to collect a range of authentic photos and publish them on owned digital assets including the StAC website. In today’s online environment, the website is the only space a brand can truly own, and it’s where key decisions are made by customers. Its vital to keep authentic and up to date content as a core part of the user experience”.
St Andrew’s College has 12,000 Old Collegians, 1000 current families and 1450 students, all who have varying interests and needs within the social media space.
Ms Eathorne concludes,
“Our content simultaneously celebrates the diversity of events our community participates in and allows people to share their experiences. I anticipate it will take around 18 months to build a strong sense of engagement and for people to become really familiar with all the platform has to offer”.
Three computer whiz kids in Year 8 are acting as technology mentors for the entire Preparatory School student body, and even quite a few teachers. Caleb, Cameron and Mitchell run twice weekly Fountain of Knowledge technology training sessions, with students able to book appointments on a sophisticated website set up by Caleb. “I took over the project from its founder Ward (now Year 10) when I was in Year 6. We have seven mentors including the three of us, and are training up some Year 6 students so they can run the sessions next year,” says Caleb.
The students help with everything from setting up the internet on laptops, phones and tablets, to installing anti-virus software, and helping students to get the most out of OneNote. They also teach students how to use the cameras and other equipment in the TV studio. Their teacher Ms Melissa Rennell says she sometimes has teachers knocking on her door seeking technical help from one of the boys, or asking for assistance with their Activboards. “They often go to these students first before the ICT Department.” Caleb has even rebuilt an old laptop from the Preparatory School and connected it up to an active board on which students can share their projects.
As they get ready to hand over the Fountain of Knowledge at the end of the year, Caleb, Cameron and Mitchell are thinking about which equally enthusiastic young technology experts they will pick as its new leaders, and are already training Year 6 student Nicholas. “We’re proud of the programme and have had a lot of support from Mr Dekkers, who will be the teacher in charge of it again next year,” says Caleb.
Cameron says he enjoys technology but isn’t planning on a career in the field at this stage. However Caleb and Mitchell hope to one day own their own technology companies, “like Apple, or Google”.
Note: this is quite a lengthy and, at times, technical post about configuring and deploying Minecraft in a school when choosing not to use the new Microsoft Education Edition. The following is the structure of the blog if you want to jump to a particular point of interest:
The Background Situation: existing Minecraft usage and identified problems.
The Opportunity: what we felt we needed to deliver to run our own Minecraft server securely and easily.
The Technical Setup:
Server
Mods
Client Installation & Deployment
Where To From Here:
Minecraft, the hugely popular game with students of all ages, is described as:
A game about placing blocks and going on adventures. Explore randomly generated worlds and build amazing things from the simplest of homes to the grandest of castles.
Despite this initial success there has always been some problems with administering Minecraft, particularly around easily and securely allowing student interaction and collaboration in these virtual worlds. To date, teachers have had to rely on students using the Minecraft Personal Edition meaning it was essentially single player mode only, removing the ability to collectively work on a project together. To promote greater student engagement and allow the key competencies to be fully utilized in learning through Minecraft, alternatives needed to be identified.
In late September 2014, Microsoft purchased Minecraft for $2.5billion which held out the possibility of a deeper integration into Office365 and Microsoft’s wider Education strategies. It took just under two years before Minecraft Education version was released, during which time an alternative Minecraft Edu was essentially shut down and absorbed into Microsoft’s new Education version. This was a shame as the Edu version was very good, allowing the use of numerous custom mods (modifications to improve/customise the game play) and it could be run on a hosted server, not just on the student’s personal device.
There was no ability to host the game on a stand alone server – now it would be installed and hosted via the teacher’s laptop computer (this raised significant security concerns for us and ultimately was a show stopper).
There was no custom mod support whatsoever. Over time, it was the ability to modify and customise the game play that had contributed to the enduring appeal of Minecraft and without this, the default game play was less appealing.
The upside, however, was that licensing was incredibly easy to manage and, if you were prepared to overlook security concerns, deployment for a teacher in a basic network would also be simplified.
An example of students using Minecraft Pocket Edition in previous years
The Opportunity:
After the initial disappointment of realising we would not deploy Minecraft Education as soon it was released, Mr Wilj Dekkers engaged in a number of discussions with myself and Mr Joshua Harrison from the St Andrew’s College ICT Services Team to explore how we might progress forward with Minecraft. Very quickly, some key features were identified:
Teacher Control: teachers would need the ability to easily manage students within the game. Without this, the chances of students running amok and getting into mischief was very real. This would require third party mods to achieve and a strategic plan around how Digital Citizenship teaching could be included into the Minecraft worlds.
The Minecraft server needed to be hosted centrally so that it could be controlled by the ICT services team, whilst still allowing the delegation of in-game management to teachers and to those students identified as leaders who could be student administrators.
Teacher/Student administrators needed the ability to maintain / deploy approved mods and perform low level administration work e.g. restarting worlds, creating/deploying new worlds.
Finally, the issue of how to deploy a pre-configured client onto student BYOD devices in a quick and simple manner, without disrupting any existing installations of Minecraft they may have already installed.
The above list of requirements needed addressing if we were going to be able to build a sustainable environment for integrating Minecraft into the eLearning strategies at the College. Joshua decided he would explore various options based on his prior knowledge administering various Minecraft servers in his own time and see if there could be some suitable solutions to use at St Andrew’s.
Technical Setup:
Server:
For the proof of concept, we decided to use an existing HP Compaq 6000 that was spare. The specifications of this machine were pretty light weight, having only a Core2 Duo CPU and 4GB of RAM. It remains to be seen if this will be sufficient and we anticipate needing to increase the resources of this machine as more users and worlds join.
After exploring various different versions of Minecraft, Joshua settled on 1.7.10 1.10.2 (this version is required to be compatible with Sponge. The earlier version was needed for supporting Bukkit which we are no longer using – see below). To support the deployment of these mods, two frameworks were necessary:
Bukkit This has been replaced with Sponge due to a potential copyright issue; this has resulted in dropping KCauldron as well.
These are essentially APIs that allow other mods to run on the Minecraft server and normally a Minecraft administrator would use only one or the other of Forge or Bukkit. However, as will be seen, it was necessary to use both and to achieve this an additional third party tool called KCauldron was necessary to enable the use of different mods on the same platform to work nicely together. With the use of Sponge, there is no need for third party tools like KCauldron, as Sponge integrates directly into Forge.
Minecraft Server Dashboard
Another important tool was MC Dashboard which allowed Joshua to use a graphical user interface (GUI) rather than a traditional command line interface (CLI) to administer the Minecraft server. This tool provides easy oversight into server resource usage, connected users and other important information.
Mods:
As mentioned earlier, it is really the mods that create the key appeal of Minecraft in schools, as it allows for customisation of the worlds and gameplay and, sadly, was something that Microsoft chose to remove from their Education edition. It’s easy to see why, however, because mods are also one of the trickier components and can easily lead to problems of version compatibility and contribute to a poor user experience. There are three key mods that Joshua has deployed for the StAC Minecraft server:
Multiverse: Project Worlds:(Project Worlds replaces Multiverse due to the changes above relating to Bukkit – everything following remains the same) This is a key one as it allows us to run parallel worlds on the same server, whilst enabling teachers and/or students to jump between worlds at will. Put practically, a teacher could create a world for a collaborative social studies project where students need to work towards an assessment or project, whilst having a separate world for “free play” and experimentation. Without Multiverse, projects would need to be separated spatially within the same world which would inevitably lead to problems, such as having to walk a long way to go from one project to another – it all takes time!
PermissionsEX:PermissionManager:(PermissionManager replaces PermissionsEX due to the changes above relating to Bukkit – everything following remains the same) This mod allows for differing levels of user permissions groups, and the following four were setup for school usage:
Student – a basic user who can only do the default game play such as build/place etc
Student Administrator – have slightly elevated controls such as the ability to move other student users around, freeze them and do other temporary modifications. These permissions are designed to support a Digital Citizenship component where students can be educated and entrusted to self-manage as much as possible within the game. The assigned permissions here were carefully selected by Joshua to prevent a student who had prior knowledge of how Minecraft administration works from being able to execute any command.
Teacher – has access to most of the Minecraft server administration, can create new worlds, can kill off users, teleport users between worlds and other main administration functions.
Administrator – aimed at superusers and, at this stage, reserved for ICT staff to support the server installation as necessary.
ICY Admin:The Minecraft Macro/Keybind Mod(This was used to replace ICY Admin due to the version change of Minecraft) This is the key mod to bring the above together into a user-friendly GUI allowing for in-game administration from a graphical menu for the above user groups. The available menu options in ICY Admin The Minecraft Macro/Keybind Mod have been built from scratch by Joshua and are controlled by a config file on the Minecraft server itself. Users access the menu system during game play by hitting the tilde key (~) and this replaces the need to execute console / CLI commands within the game. This makes it significantly easier for new users to engage with the game and reduces the barrier-to-entry for teachers who may wish to administrate but know none of the commands.
Some of the controls available via ICY Admin The Minecraft Macro/Keybind Mod include things such as “freeze” a user/all users in place (useful if you effectively want to pause the game for a break), teleportation of a single user / all users to a shared starting point or, for example, if you wanted them all to be in the same place to work on the same project. Additionally, environmental settings can be controlled in this way e.g. make it rain or snow, or set it to always be night time.
The control interface for teachers and student-admins when using The Minecraft Macro/Keybind Mod (which replaced ICY Admin)
These three core mods are what allows the overall setup and administration and, through conversations with Mr Dekkers, are probably sufficient to enable most scenarios of how Minecraft might be used at this stage. Two in-game mods specifically requested by Mr Dekkers were IndustrialCraft and ComputerCraft both of which allow for significant learning opportunities. IndustrialCraft supports things like electricity generation and storage through batteries and transferring into different parts of the game, whilst ComputerCraft is essentially a full programming language accessible by computers in the game.
Client Installation & Deployment:
Windows installation batch script
With the setup of the Minecraft server achieved, the final part of the solution was how to easily deploy this to the individual student BYOD laptops. St Andrew’s College has a choice within parameters for BYOD, meaning students can bring either a Windows 10 laptop or an Apple MacBook running OS X.
It was important that there was an easy, stress-free way for teachers and students to install this version of Minecraft onto laptops that did not necessarily need to involve the ICT Services helpdesk team at the College. Joshua was pretty confident he would be able to write some batch scripts for Windows and I suggested he check out OS X’s Automator as a way of scripting installation for the MacBooks. Interestingly, he found that he was able to script the installation on MacBooks with Automator in about half the time it took to write a batch file for Windows.
The tasks in the Automator script to install onto a MacBook running OS X
The key to making this happen was Minecraft MultiMC, an open source launcher for Minecraft that allows users to run completely separate installations of Minecraft with ease, meaning that we could confidently encourage students to install this version without affecting any other installation of Minecraft they may already have on their laptop.
MultiMC Interface
Essentially, a student is provided with a USB key that has an installer launcher that copies MultiMC and a Java installation into a new folder, whilst setting up short cuts in their Applications folder so they can run the game.
Interestingly, Joshua opted to not include a copy of the Minecraft client application itself within this installer file, instead relying on students having to enter their own Minecraft credentials (linked with their personal paid licensed copy) which would then trigger the download of the client application of Minecraft. This way, we are not distributing any commercial software illegally and the download only adds 1-2minutes to the overall installation process. The key benefit, however, was that MultiMC is already configured to point the installation to the College’s on-premise Minecraft server meaning there was no additional configuration required for students. Additionally, Joshua set this up to run on a non-standard port so that if other students were using Minecraft at school they could not accidentally connect to the school’s Minecraft server and become a nuisance.
All up, it takes less than 5 minutes for a student to install this version of Minecraft from a USB key provided by the teacher.
Where To From Here?
I am always really happy when members of the ICT Services Team have an opportunity to use their prior experience or personal interests to contribute to the teaching and learning at the College in ways like this. It is one of the unique things about delivering ICT in schools compared to other environments and the ability to be involved in this way is enjoyed by the staff. Talking with Joshua he admitted to being a bit worried about how to deliver what needed to be a very simple solution that could be managed by students and teachers whilst still being secure and stable:
I had a huge sense of personal satisfaction with the finished solution because I was a bit worried about how I would be able to deliver all of this at the start, or even if it was possible. Ultimately, it was ICY Admin that made it all possible and this was something I found only through researching for this project. It’s nice to know that the hundreds of hours I’ve spent administering Minecraft servers in my own time have paid off and could be used in an educational context.
Mr Joshua Harrison
For me, it is pleasing to know that we have a secure, robust and extensible platform which teachers will be able to use relatively painlessly thanks to the efforts of Joshua in this area. It remains to be seen what interesting curriculum uses arise from this and I’ll certainly be posting a followup blog highlighting this.
Of course, as Microsoft continue to develop their Augmented Reality HoloLens solutions, then perhaps the future of Minecraft will be 3D as this video shows:
Recently I caught up with Finn Perring, Anna Bennetto and Grace Dephoff who are part of a wider group of students that make up the band Souldrop. Anna leads the vocals, Finn plays bass guitar and Fin Gilzean (St Thomas of Canterbury College) plays lead guitar whilst Elliot Millar (Burnside High School) is on the drums. Formed in April 2016, their first single Mill Bay was released in August with an accompanying music video shot and edited by Grace Dephoff and their 5 track EP will be available from the 9th September 2016.
UPDATE 25/9/16 The band’s self-titled EP is now available and embedded below via Spotify:
I was particularly interested in the technology the band used to record the track as well as edit the video, however to understand all of this it was important to learn of the various musical influences on the band.
Elliot is a jazz and big band drummer, representing Burnside High School in various musical competitions.
Fin learnt blues and classic rock guitar, mostly from his father
Anna has been performing for over ten years in musical theatre shows, as a jazz singer in various bands as well as one soul band.
Finn is a classically trained guitarist who plays Spanish flamenco guitar, but bass for Souldrop.
Recording & mastering the audio track:
Most of the audio track was recorded in the St Andrew’s College recording studio with the vocals, drums and bass all being laid down in this environment. The lead guitar parts, however, were recorded in Fin’s bedroom using Apple’s Garageband. Once finished, these guitar recordings were sent to the other Finn (Perring) to add to the other instruments and mix the recording in Apple’s Logic Pro X. To this end, the band never played the entire song together in the same room during the recording process, instead relying on the use of over-dubbing to achieve the best sound.
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From a non-musicians perspective, I found this a fascinating way to craft a complete song, through the selective and judicious extracting of various takes of the song and merging them all together in an order that produces the best quality song. Additionally, the song was a very collaborative effort with the idea of the song first coming in a formative stage to Finn Perring around two years ago, before drummer Elliot and lead singer Anna co-wrote the lyrics for the song.
Recording & editing the music video:
Grace Dephoff filmed all of the footage for the video in a single afternoon using a Canon 70D camera with the 16-24mm lens and a 50mm lens borrowed from Mr Dave Jensen who works in the TV studio at St Andrew’s College. There was a limited script for the recording of the music video, instead a desire to keep it as natural as possible for the band members. One of the most clever features of the music video is the fact it is in slow motion, whilst keeping the music and singing in real time.
Grace Dephoff filming the band
This was achieved by having the band perform the song at 1.5x normal speed from speakers that they could hear to help them keep time, whilst Grace filmed at 50fps so that it could be later slowed down to 67% normal speed and still look smooth after this editing had taken place. The end effect makes it look like the band are in time to the song, even though they are in slow motion. Grace had learnt of this technique from a former guitar teacher she and the whole band were thrilled with the end result and how it looked.
To edit the hours of video footage, Grace used Apple’s Final Cut Pro, a tool she was largely self-taught in after graduating from using Apple iMovie for a number of years, including winning numerous prizes at the annual St Andrew’s College Film Fest. All up, she spent around 10 hours editing the footage and another 6 hours completing the colour grading in the video.
Distributing and Promoting the single:
The band are using a combination of word of mouth and social media to get exposure for the first single Mill Bay, combining messages on Facebook, Instagram and, of course, the YouTube channel itself. They have added a number of live performances as well, including lunchtime shows in the St Andrew’s College Quad, an assembly at Burnside High School and a performance at St Thomas of Canterbury College as well. There is a planned interview on 98RDU radio station as well on 14th September.
The song has been released through TuneCore which is a digital media distribution company which automatically publishes the song to the main digital music platforms including Spotify, iTunes, Amazon, Google Play, Shazaam and the YouTube channel the band have created as well. Anna and Finn’s focus at this stage is getting the song out to as wide an audience as possible and any revenue that is generated from the track being played is a bonus. TuneCore will send the band monthly statistics around the performance of the song on the various platforms.
In terms of copyright and protecting the song, the band have chosen to use the Creative Commons licensing platform. They recognise that this license might not stop another band from being able to sample their work, but they will be required to acknowledge Souldrop as the source of the original content for the sample.
What’s Next?
The band are keen to keep gigging and playing as many live performances as possible to increase their exposure and improve as a unit. They are also thinking about recording another music video for one of the other tracks on the soon to be released EP.
My Thoughts
I have been super impressed with the members of the band that I have met so far, both in terms of their musical ability but also their technical skills to be able to produce such high quality recordings and videos. It is always pleasing to see that skills that have been taught and learnt at St Andrew’s College are finding a creative outlet in the areas of student’s own interests such as being part of a band.
The wider Souldrop crew including Anna Bennetto (back row, second from right), Finn Perring (back row, far right) and Grace Dephoff (from row, first on the left)
This song and video highlight how technology has enabled students to create high quality, professional looking videos and promote them digitally to an international audience. When I pointed this out to Finn, Anna and Grace their reaction was a mixture of pride and nonchalance in the work they had created, highlighting to me just how natural the use of this technology is to students these days. Importantly, they had thought about using Creative Commons to copyright their work demonstrating an inherent understanding of the value of their music and video.
Finally, there is opportunities for this work to be credited against various NCEA internal Achievement Standards in some subjects (mainly English/Music) which would be a serendipitous outcome of what is essentially a passion project for these students. This is, perhaps, one of the biggest outcomes and reasons to pause for thought from this. If schools were able to recognise the creative output of students in areas of their interests perhaps we would finally see the flexibility of NCEA that is often talked about, yet rarely achieved.
As eLearning Integrator at St Andrew’s College my primary role is to encourage innovation in classrooms across the College. One aspect that I particularly like is when a staff member brings an idea, or new product that they have heard about, and want to implement it in their classrooms.
On her return from the 2016 New Zealand Association of Language Teachers Conference one of our French teachers, Mrs Angela Marshall, introduced me to Adobe Spark.
‘I had not come across this product before, and I was instantly hooked on its potential to allow students to create great looking content easily, quickly and effectively.’ – Mrs Marshall
In the first weeks of term, Mrs Marshall found time to further investigate the possibility of using Spark in class. She remained impressed.
‘I was excited by how easy-to-use it was; particularly the speed in which a good product could be produced, the quality of the sound recording, and the sheer number of photo resources that were available for practically any subject’
Canva vs Spark: Easy Web Creation
Only a few months earlier I had been introduce to Canva, and it quickly became my favourite content creation tool. It was not without its limitations, however, particularly around the quantity of images available for free use.
While I have not had the opportunity to use Spark in my own classroom yet, it was pleasing to see that Mrs Marshall’s enthusiasm towards Spark continued into a classroom setting. She set both her Year 9 classes the task of creating a 30 second narrated video that explained 8 prescribed aspects of the life of a person they admire.
Students were given 1 1/2 periods of class time to complete this activity. This class-time included finding the information to include in the presentation, mastering the pronunciation and vocabulary necessarily, and learning how to use the presentation tool. Mrs Marshall was pleased with the results. Pleasingly, students too could clearly see the benefits of using this great tool.
‘This task went smoothly – Spark exceeded my expectations. It was really easy to add images and text, and the microphone clarity was good’ – Jack
‘Spark is like PowerPoint, but with better options. It was particularly easy to use and I could add music, change the layout. I will definitely use it again!’ – Hannah
Spark – A tool I recommend
In the same way that I finished my Teachmeet presentation, I will end here with a strong recommendation to teachers to investigate Adobe Spark. It is a great tool that you, and your students, will enjoy.
One of the most pleasing aspects of the course for Donna has been the ability to collaborate with colleagues from a variety of different schools, and teachers of other year levels. These opportunities for collaboration are an important aspect of educational postgraduate study like this, as Donna describes:
‘It has given me a much clearer understanding of the big picture educational landscape across Canterbury. Engaging with teachers from all sectors has been both enlightening and inspiring.’
A second aspect of the course that Donna has particularly enjoyed is the hands-on time that is spent learning through technology. Donna has thoroughly enjoyed working with stop-motion, robotics, and AR. This increased awareness has manifest in a new-found interest in the potential of concepts such as gamification to help raise engagement and achievement in her English classes.
Finally, she has gained a greater understanding of the theories of leadership, particularly Transformational Leadership in 21st Century Learning.
Applying Learning in the Classroom
Students making stop motion
Whenever staff attend Professional Development courses, one measure of success of the applicability of that development, is the impact that the new learning has on classroom practice. One particularly pleasing aspect of Ms Jones’ participation in the course is the immediate applicability of her new learning.
She has already been able to develop different ways of assessing existing concepts. An example of this is the use of stop motion as a way of assessing understanding of theme within a novel study. She has recently done preliminary work to investigate the use of an ‘Escape Room’ with Year 9 students which complements her implementation of a cross-curriculum project solving real-world problems; used last year.
‘The course has been a reality check and reminder that if we as teachers don’t engage with 21st Century technology and integrate these into ou programmes, we are not providing students with the correct preparation for their future. The pace of change in classroom technology is both exciting and frightening.’
In the last week of Term 2 I had the opportunity to present at the NZ Tech Advance Education Technology Summit hosted at Massey University’s Albany Campus. Key topics and subjects discussed include:
Inquiry | Creativity | Collaboration – The role of technology in modern learning
Developing teacher understanding and encouraging implementation of collaborative and digital learning methods
Integrating and encouraging digital technology adoption in curriculum and classroom
The new narrative: IT training and computational thinking
Building technology into the curriculum – lessons, challenges and what we’ve learnt along the way
Collaboration at the forefront of today’s teaching environment
When preparing what I wanted to share at the 40 minute session I had been given, I decided on using the Key Competencies from the New Zealand Curriculum to explain why some examples of eLearning from four St Andrew’s College teachers had been successful. Additionally, I wanted to use authentic student voice to highlight this – fortunately, having been blogging on this site for over two years now there was plenty of examples I could draw on.
The Key Competencies are at the heart of great teaching and learning in New Zealand and are the bedrock upon which effective eLearning can be built on.
Thinking: is about using creative, critical, and metacognitive processes to make sense of information, experiences, and ideas … Intellectual curiosity is at the heart of this competency … [Students] reflect on their own learning, draw on personal knowledge and intuitions, ask questions, and challenge the basis of assumptions and perceptions.
Using Language, Symbols and Texts: Using language, symbols, and texts is about working with and making meaning of the codes in which knowledge is expressed … Students who are competent users … can interpret and use words, number, images, … and technologies in a range of contexts … They confidently use ICT to access and provide information and to communicate with others
Managing Self: This competency is associated with self-motivation, a “can-do” attitude, and with students seeing themselves as capable learners … It is integral to self-assessment.
Relating To Others: Students who relate well to others are open to new learning and able to take different roles in different situations … By working effectively together, they can come up with new approaches, ideas, and ways of thinking.
Participating & Contributing: This competency is about being actively involved in communities … They may be local, national, or global. This competency includes a capacity … to make connections with others, and to create opportunities for others in the group.
I started the session off by highlighting the fact that often ICT is talked about in terms of risk. This can come from security breaches, budget blow-outs and ICT project cost overruns, not to mention distracted and off-task behaviour when using technology. I then posed the following questions:
I wanted to highlight how some of the best examples of effective eLearning from teachers at St Andrew’s College was firmly rooted in Key Competencies. I chose examples from the following four teachers:
Combining OneNote & MineCraft To Create Pick-A-Path Stories:
This example is explained in more detail here and the basic Learning Outcomes are displayed below with the relevant Key Competencies included:
Learning outcomes from this unit:
to produce interactive pick-a-path adventure stories
KC: Using Languages, Symbols & Text
to work collaboratively online to produce an end product
KC: Relating To Others
to create stories to share online with a wider audience
KC: Participating & Contributing
As mentioned above, I wanted to use authentic student voice as much as possible so I included an abbreviated version of the following video so that the audience could hear students articulating their learning and the impact that technology had made:
An insightful quote from the student called Harry was:
The goal was not to just make something pretty in Minecraft, it was actually to improve the quality of your writing … after writing the story, the idea was to look back in Minecraft and see how you could improve the writing you had already completed.
To assist teachers at St Andrew’s College with integration of technology into their teaching and learning, we have adopted the SAMR taxonomy that you can see on the left.
This is a really useful way for teachers to conceptualise how technology might assist the learning outcomes for their students as well as provide them some aspirational goals for extended use of technology. Tom Adams, our eLearning Integrator, has recently written in detail about effective use of the SAMR model which is definitely worth reading if you are new to it. During the presentation, I introduced the audience to a relatively new product from Microsoft called Pulse. This enables the audience to provide real time feedback on a session as well as allowing the presenter to push out questions for quick polls. I asked the audience “What level of SAMR do you feel the Minecraft/OneNote example was operating at?” and below is their response:
Using Microsoft Pulse for instant feedback from the audience
Inspiring Creative Writing Through Constructing Digital Worlds:
The next example I shared was again around creative writing, this time from the High School instead of a Year 6 class. The full reflection can be found here, however the high level overview of the task was as follows (with Key Competencies inserted):
Learning Tasks For This Unit:
Write a short story of ~600 words with a theme of “conflict”
KC: Using Languages, Symbols & Text
Students Must produce at least 4 “drafts”
KC: Thinking
Drafts must be shared with peers for feedback/feed-forward & act on appropriate advice
KC: Participating & Contributing
What was different about this activity is that students had to build their digital world before they started their writing and use it as a source of inspiration and planning, not just as a reflective tool for editing. Settings were constructed in Sketchup, Paint, Minecraft and the source engine of the game Counter-Strike. Here is a student Ralph talking about his world which I again shared with the conference audience:
Again, I find the language used by the student here informative, with some of his comments being:
“I wanted readers to grasp that the bombs had come from the bank itself”
Clearly, the reader’s experience is at the forefront of his thinking when he is designing his digital world.
He blended his natural enjoyment of the game Counter Strike with his school work and learning – a win/win situation!
Ralph talks about adding a backstory to the real events of the London Bombings, demonstrating a wider awareness of global communities
“As I was designing the level I was constantly thinking of ways I could make the story more interesting.”
This was not just technology for the sake of it – it was clearly shaping and informing his understanding of the creative writing task that was the key learning outcome here.
This was manifested through his drafting process where he removed a lot of the dialogue to improve the narrative flow and added more descriptive text such as the sound of the gunfire
This impressive learning came on the back of an earlier, easier task where the students in the class had leveraged an existing digital world (Google Earth) rather than having to create their own. Through the lens of the SAMR scale this makes perfect sense – the students build their knowledge and experience of digital toolsets in the lower levels of SAMR and once mastered they can progress to more difficult tasks. Here is a write up of the earlier task where students had to explain the significance of setting in a film, and this is a student talking about their comprehension.
Again, it’s important to pick up on the student’s language – the technology is integrally linked to the learning outcomes, it is not merely there for entertainment or distraction. By requiring students to record their personal reflections in this way, students are using a number of Key Competencies.
Communicate Musical Intention By Composing An Original Piece of Music Inspired By Art:
The final example I shared with the audience came from Level 3 Year 13 Music. On the first day of the conference I had been asked to be part of a Q&A Panel about integrating technology into schools and one question from the audience was essentially around what are real world examples of great technology usage in NCEA subjects. The heart of the question was around the challenge of adapting existing assessments to be technology rich and I answered it by a brief description of this example from Mr Duncan Ferguson our Head of Music.
Using AS.91419 (3.4)
KC: Using Languages, Symbols & Texts
Students are required to reflect on their composition and explain the connection with the art that inspired them
KC: Thinking
These are largely independent projects that the students need to work on themselves
KC: Managing Self
Here is the video of the student reflecting on their learning:
Flipping The Maths Classroom:
I wanted to allow some Q&A at the end of my session so I ran out of time to share this example from Mr Ben Hilliam, so I’ll briefly reference it here. In this example, the key learning outcomes included:
Year 9 Maths: solving Linear Equations
KC: Using Language, Symbols & Text
Students were required to watch the instructional videos and then attempt the practice questions
KC: Thinking
Students needed to regularly complete check lists indicating their progress
KC: Managing Self
Here is an example video made by Mr Hilliam:
What I most liked about this example is that students were not left on their own to just work through it, the teacher is still involved through the process, despite the availability of the instructional videos. The following screenshot is from a OneNote Class Notebook showing how the student has completed their progress reports and the teacher has provided feedback:
I used MS Pulse to ask the audience whether they personally felt that using a “flipped classroom” genuinely created more opportunities for differentiated and personalised learning during class time. Their response was overwhelmingly “yes!”
An alternative way to show poll results from MS Pulse
I concluded my session with the following thoughts:
This week St Andrew’s College has joined in the national celebrations of Te Wiki O Te Reo Māori with a number of different activities. For the first time, we decided to run a Digital Scavenger Hunt that was aimed at getting ākonga (students) and kaiako (teachers) engaging in the celebrations in a fun way through using technology.
This was achieved using a Digital Scavenger Hunt, whereby students had to complete a number of tasks that accrued points based on the level of difficulty or effort required. The following poster was created using Canva and posted around the College and also on the news stream of our Moodle LMS
A handwoven harakeke pikau was 1st Prize
Initially, I was unsure of the best technology to get students to submit their photos and videos to a central location easily, and without needing a specific app or account. I tried to crowdsource some suggestions through my PLN (Professional Learning Network) on Twitter, with ideas of using Padlet, Cluster, Instagram and Google Drive all being suggested. I also thought about setting up an open course on our Moodle site that students could submit photos and videos for the competition through, however the reality is that it is still not super easy from a mobile phone to do this.
In the end, I settled on using the relatively new “File Request” feature that is available free with a Dropbox.com account. The beauty of this is that it significantly lowers the barrier of entry for students as:
They did not require a personal Dropbox account themselves
They didn’t need a specific app on their phone – it worked through a mobile browser on any platform (we tested on iOS, Windows and Android). We used a QR Code and shortened URL to make it easier to type on a phone – http://bit.ly/stac-mlw
Any files they submitted were visible only to me as the Dropbox account – students could not see the entries of anyone else which was important.
Students entered their name and email address when submitting files, so all entries were easily identifiable and Dropbox emailed me as the account owner when a submission was made.
To assist students with how to submit their entries, I made an instructional video using ScreenFlow 6 and a nice new feature in version 6 is the ability to record the screen of your mobile phone. This allowed me to show what to do on the phone to upload photos and video, whilst simultaneously showing what it looked like on the Dropbox account as the files were submitted:
Video showing how to submit photos for the Digital Scavenger Hunt directly from your mobile phone
The competition proved most popular in our Preparatory School, with the majority of entries coming from Year 7 students. Here are a couple of example photos that were entered:
Future Ideas:
I had a chat with Mr Tom Adams, our eLearning Integrator, at the end of this competition and we both agreed that this is an idea that could be recycled easily for other purposes. Now that we know that Dropbox File Requests is an easy way to submit and receive files via mobile phones this could be used for other Digital Scavenger Hunts with a different theme.
One idea could be an orientation programme for new students, aimed to get them going around the campus to learn where different places/services are located. There are some specific apps aimed at doing this, such as Scavify, but building your own would probably not be too difficult either. In the end, this was a fun and relatively easy activity to build into our celebration of Te Reo Māori at St Andrew’s College.
As blogged about in 2014,St Andrew’s College has been running the only professional television studio in a New Zealand school for almost 20 years. What is particularly exciting for me is the potential of other subjects to utilise this fantastic resource to allow students to conceptualise, and create video content.
A Level 5 Curriculum Objective in Social Studies requires students to study how the ideas and actions of people in the past have had a significant impact on people’s lives. This year, students undertook a decade study of the 1960’s; including aspects such as historical events, music, and fashion. This was a very popular unit with students, but, as always, the challenge was making their learning authentic.
Mr Simon Williams, the head of Film and Television, was interested in this new unit of work, and offered to assist the teachers to create some video resources to complement their classroom learning. Because the majority of students access learning in the TV studio as part of the Performing Arts course at either Year 9 or 10, there was no need to spend time on the ‘how’ to create such material. This meant students already had the skills to produce an interview style television program, and they could focus on the content.
Mr Williams wanted the process to be smooth and clearly beneficial for the Social Studies staff members, so he assisted by writing a simple script, and organising several interviews with staff that have fond memories of the decade, as well as a television cameraman who cut his teeth in Vietnam in the 1960’s; Mr Wayne Williams.
Student Involvement
The students’ roles included filming, performing, presenting and editing the final production – to create a number of professional standard videos that were ultimately edited into a 35 minute television program.
Students with varying levels of experience were able to contribute to the production of such a programme as the interview format is very familiar and accessible for them. This fact emphasises the potential of the Television studio to help students of almost any subject area to enhance their learning by creating resources of various forms.
Putting Social Studies Learning into Action
The head of Social Studies at St Andrew’s College, Miss Kerry Larby, was enthused by the activity.
One of the key aspects of Social Studies is perspectives, so it was extremely beneficial for our students to hear the authentic experiences of staff members they interact with on a daily basis, but may not realise their past experiences.
Miss Larby also noted that one of the focuses of the unit was helping students to discover the wealth of resources that exist within people, rather than relying on the easy, often web-based, option. Each student was encouraged to identify, and interview, somebody who had clear memories and experiences in the 1960’s and make use of this information to supplement their learning in class.
Collaboration for Mutual Benefit
Students at St Andrew’s College are extremely fortunate to have access to the remarkable television studio. What was particularly pleasing about this activity was the cross curricular nature of the production; utilising students’ existing television creation and editing skills to show, and develop, their learning in Social Studies.
There is certainly scope for more subjects across the College to implement similar tasks, and I look forward to reporting on them on this blog in the future!
Planning and Task Development
Three computer whiz kids in Year 8 are acting as technology mentors for the entire Preparatory School student body, and even quite a few teachers. Caleb, Cameron and Mitchell run twice weekly Fountain of Knowledge technology training sessions, with students able to book appointments on a sophisticated website set up by Caleb. “I took over the project from its founder Ward (now Year 10) when I was in Year 6. We have seven mentors including the three of us, and are training up some Year 6 students so they can run the sessions next year,” says Caleb.
The song has been released through 
In the last week of Term 2 I had the opportunity to present at the 
To assist teachers at St Andrew’s College with integration of technology into their teaching and learning, we have adopted the SAMR taxonomy that you can see on the left.
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StAC e-Learning Stories 